A collection of 93 posts
Jewison, by contrast, had found himself both “curiously moved” and “flooded with exciting visual images” upon first hearing the album.
Sidney Poitier, who retired from acting 20 years ago, turned in many unforgettable screen performances over a career that spanned the entire second half of the 20th century. But his best known is almost certainly his portrayal of police officer Virgil Tibbs, the protagonist of Norman Jewison’s 1967 film
There is no doubt that part of the goal of Allen v. Farrow was to finish off both Allen’s career and his legacy by presenting a definitive guilty verdict in the court of public opinion.
On March 4th, the Ringer, a website that covers pop culture, featured an article entitled “We’re in a Time Loop of Time-Loop Movies.” Similar articles have appeared in many other pop-culture venues of late. Suddenly, time-loop stories seem to be everywhere. This month Hulu began streaming director Joe Carnahan’
If heaven needs to be segregated, what hope does Earth have?
It is difficult to believe in heaven, but it is also difficult not to believe in a heaven.
Hard as it might be to believe, the years that stretched from roughly 1967 through the bicentennial year of 1976 brought even more foment, outrage, unrest, and upheaval to America than the most recent decade has managed. The escalation of the Vietnam War, the student protests against that war, the
Allen and Williams are united by a sensibility that can be described as tragicomic, even if each inflects it differently.
NOTE: This essay contains spoilers. The surprise success of the Netflix miniseries The Queen’s Gambit has brought me a great deal of delight—I’m a longtime fan of both the novel and its author, Walter Tevis. Just this summer, I wrote an essay about all the great American
Depp has found that using the law to defend your reputation is a very expensive way of shattering it.
I’m grateful to every straight director, actor, and writer who has taken up the cause over the last 60 years, and to their closeted friends and colleagues who inspired them.
All in all, more than 130,000 set sail on rafts and boats made of rotten wood, house doors, truck tires, and anything else that could float.
Contemplation of such great age is intrinsically moving, perhaps because it releases us from the oppressive clamour of the moment.
This is the territory with which Allen feels most familiar and confident—a spare, crisp, and yet intricately plotted tale that juggles characters and situations with sensitivity and bathos.